Summer Fair 2014

Hello Everyone

I just wanted to say a BIG thank you to everyone who came to support The Pen Museum on what was our first summer fair. This type of event is the biggest the museum has ever hosted and it was great to see some familiar faces as well as new faces. I co-ordinated the entire event as it was my crazy idea at first. I originally just thought of doing an open day for the museum with tours but as interest grew and I spoke to more people within the local area, the summer fair grew to something really special. I could not have done it without the support of all the volunteers at the museum. The museum runs entirely on volunteers every day so it was lovely to see everyone coming together and supporting the idea and the museum.

All our games, posters and refreshments were handmade by our volunteers as well as work experience students. All the games were very popular and in total we made over £250 from our games and £97 from our refreshments! Over 170 people came to the fair and over 60 people joined us on our tours that ran every hour by our super tour guides, Christian Paton and Tom Abbott. Our shop was also open on the day and we took about £70 from our stock!

Our tombola was the star of the show, so much so that we started to run out of prizes because we had so many lucky winners! Well done to everyone who won. At this point I would like to say a BIG thank you to all our supporters including:

Greggs

Birmingham Museum and Art Gallery

Manuscript Pens

The REP theatre

Brewsmiths Coffee Shop

Delta Force

Pomegranate Coffee Shop

Hettle Andrews Insurance

The Pen Company

Intermezzo

CBSO

Vicki Sharman.

Again the fair would not have been the same without your kind support. Most of our prizes came from the local community.

I would also like to say a HUGE thank you to: Tina Francis who has helped a lot since the beginning and gave me tons of advice along the way. She designed a pen nib tapestry kit, especially for the museum: she raised so much interest in her work and successfully sold one on the day! We hope to have these stocked in our shop very soon!

Also a big thank you to:

Amanda Skipp

One of Sam’s

Rob’s Paintings

Eloise Lee

Abi Holmes

Vicky Roden

Birmingham Calligraphy

Lydia Brookhouse

Everyone enjoyed having craft stalls at the fair, many of you said how it was lovely to have a different environment for your stall, such as our museum!

On the day we raised over £600 – So thank you to everyone and I hope we can make this an annual event!

Regards

Stacey Bagdi

Learning Co-ordinator at The Pen Museum.



Summer Fair 2014 Pen Museum


Thank you to everyone who came to the 2014 Summer Fair and all the volunteers who helped to support the event.

Many thanks as well to the sponsors, stall holders and participants.

Special Thanks to Volunteer Stacey Anne Bagdi for all she has done to develop and complete the event.

170 Visitors contributed £603.00 towards the museums core costs. 

27th July 2014

Come along and help us raise money for the museum and learn about the Birmingham Steel Pen Trade!

Admission: Adult £1, Child 50p, Under 5s Free

Museum Tours (Every Hour)

Tombola

Games & Trails

Our Famous ‘Make a Nib’ activity

Homemade Cakes & Refreshments

Calligraphy & Writing Demonstrations

Craft Stalls

Plus Much, Much More. 


 

Work Experience

The Pen Museum welcomes students for work experience at any time of the year at any stage of their academic career. If you would like to complete your work experience at the museum please contact Stacey Bagdi. We can offer a structured programme as well as tailor it depending on the schools/student’s own requirements. Recently three Year 11 students from Perry Beeches II the Free School in Birmingham joined us for a week. They thoroughly enjoyed their time with us and so did we!

Beverlie Weston, Community & Partnership Co-ordinator at Perry Beeches II the Free School commented on behalf of the student’s placed at the Museum.

“Perry Beeches II the Free School would like to express our sincere thanks to you and your team for accommodating Daniel Haughton, Wesley King and Danielle Van den Berg on their work experience.

The students have totally enjoyed the experience and kept a log of the activities they have carried out last week. They have commented on how they have been looked after really well, and treated like a member of the team. Also how they have gained experience within the world of work. None of this would have been possible without your help and support. Once again thank you for investing your time into our young people.”

My placement with the BPTHA Pen Museum by Xiaoling Tong

The first time I had heard of the museum of pen nibs I laughed at it and at the fact that people even bother to care for such trivial matters, but before long I realised how ignorant and conceited I had been. The pen room is not only a space for legends about the glory of the industrial empire, but also an evidence of the strong link between heritage and community. The museum itself is run fully by volunteers since the first day it was started. Once you walked into the vintage room of nibs and machines, you are immediately surrounded by the passionate volunteers who have been committing themselves to the unique antiques and the historical subject for years. The casual atmosphere and friendly colleagues make the cosy museum ideal for people including me who are new to the city and the subsector to learn, free of fears and concerns. I was a newbie and I made mistakes, but whenever I felt daunted I received encouragement and constructive feedbacks as well. Today, the museum houses more and more international youth who is interested in history and curatorial practice, which added a new dimension to the staff body comprising people of rich knowledge about local history.

Best wishes to the museum and the BPTHA!

Xiaoling Tong (Ling)

MA in International Cultural Policy and Management.

Xialong Tong

The DANCE: Using Tools and Styles to Create Contrast in Design

 With: Rachel Yallop & Michael Clark 17-19 (3 days) October 2014

The Pen Museum, 60 Frederick Street, Birmingham B1 3HS.

 This class will focus on the integration of both tools and styles in the creation of designs using contrast, colour and balance. We will begin by exploring the concept of contrast in everyday lettering and design. The second goal of this workshop is to introduce students to a variety of tools and techniques that they may not be aware of. The final phase, and majority of time will be spent employing these techniques, tools, theories and new ideas. 

For the most part exercises and work will be done as individuals, but some will be done “as duos,” that are carefully chosen by Rachel and Michael. The idea is to expand design skills using self awareness of strengths and weaknesses and using them to one’s advantage.

Experience Level: Intermediate

Venue: The Pen Museum, a unique and much-loved, small, independent museum – the only one of its kind in Britain, opened in 2001. It contains an amazing collection of over 5,000 objects related to the Birmingham steel pen trades and history of writing. Their archives will be made available to students.

Rachel Yallop has pursued a freelance career specialising in creative and expressive calligraphy for nearly 30 years working with design consultants handling accounts from major UK companies. Her love of letters stems from a lifelong passion for drawing, with her original works exploring form, space, tension and freedom of line. Rachel is an elected Member of the Royal Birmingham Society of Artists, a Founder Member and past Chairman of Letter Exchange and an Honoured Fellow of CLAS.

Michael Clark is a commercial lettering artist and font designer who resides in Virginia, USA. Two of his fonts won international awards and he has been featured twice in Letter Arts Review. His work is a mix of traditional and contemporary lettering for book covers, logos, CD covers and “titling” for magazines and printed ephemera and the web.

Supply list: Please bring any and all ruling pens in your possession, brushes, Speedball A,B,C, and D nibs and anything that looks like it will hold ink (except a sink) and will write. Paper of all kinds (as much as you can carry), and lots of FREE flowing ink.

For booking and accommodation information contact Rachel at rachel.yallop@btopenworld.com

£150 for 3 days…includes lunch

Pen Museum AGM 2014

This year’s AGM will be on Saturday 14 June 2014 starting at 11.00 am. After the main business has been conducted there will be a short break before a talk by a guest speaker. At the end of the talk there will be an opportunity to join in some light refreshments.

Guest Speaker 2014
Norman Bartlam works as a teacher in the Ladywood area of Birmingham on local history, geography, and citizenship projects. He is heavily involved with local history (he runs the Ladywood Local History Group) and is the author of several titles in the Britain in Old Photographs series. Norman’s talk will be based around life in Ladywood and the Jewellery Quarter during the First World War.

Museums at Night


Museums at Night Pen Museum Artist talks 2014

(Talks approximately 40 minutes)

 
 

Saturday 24th May 2.30pm

Jon Wilkes

www.transient-art.com

www.jonwilkes.com

 
 

Jon Wilkes Co-ordinator of Transient-Art and participating artist, Jon Wilkes will discuss the project at the museum and the group’s previous shows and future plans. He will also introduce his artwork and the devices he creates

 
 

Sunday 1st June 2.00pm  

Pak Keung Wan

www.axisweb.org/p/pakkeungwan

 
 

Pak Keung Wan practises and studies many Western and Eastern philosophical principles, his work could be compared with meditative rituals that embrace internal power, movement and awareness. His drawings and artistic output seem like frozen moments of examination, depiction of form which seems to contain its own organic living qualities, elements that seem intrinsic to life its self, things which contain mystery. Within his talk Pak will introduce his practise and the theories behind his work.

 
 

Saturday 7th June 2.30pm  

David Miller

www.mysterdavid.co.uk/

 
 

Through engaging with such writings as A Rebours by Huysmans, The Picture of Dorian Gray by Oscar Wilde and photographic writings by Roland Barthes it is inevitable that David’s work is concerned with memory, aging, self-representation, caricatures and process. These literary inspirations lead to a practice represented